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    • Home
    • Legacy
    • Gallery
    • Books
    • Prints
    • Exhibitions
    • TISH
    • Contact
  • Home
  • Legacy
  • Gallery
  • Books
  • Prints
  • Exhibitions
  • TISH
  • Contact
Tish Murtha

The legacy of Tish Murtha

Tish and Ella

 

"You can learn a lot about the photographer by looking at their pictures, and I think that’s especially true with my mam. She knew how to compose an image, but she started to hone her skills long before she ever picked up a camera. There was always an undercurrent of danger in her world, she had to learn to read a situation and know when the mood was going to turn from being a tiny child.  When she found an old camera in a derelict house as a teenager, it became her protection and a tool for change when she realised its power.  


I grew up with her pictures as our wallpaper and was often in the darkroom with her when I was little. She would explain what she was doing, letting me help, and it felt so magical watching these black-and-white images appear in the tray that we had made together. She was in her element in the darkroom, listening to her favourite music - she really loved the whole process and I'm so happy that I got to share that with her. I know how important her work was to her and that is why I feel compelled to continue to share it."


Ella Murtha

tish's treasures

After losing my mam, I found myself going through the huge archive of negatives, prints, contact sheets, and notebooks she left behind - 'Tish’s Treasures'. Spending time with her photographs and writing became a real source of comfort and helped me deal with my grief. I started sharing my mam’s work online and was amazed by the response. Some people already knew and loved her work, while others were discovering it for the first time. Seeing how much her photographs meant to people gave me something positive to focus on, and I knew I wanted to do everything I could to protect and celebrate her legacy. Since then, I’ve worked with people I trust to make sure her work is shared in a way that stays true to who she was and what she stood for.


Over the years, I’ve published four books of my mam’s work - 

Youth Unemployment, Elswick Kids, and Juvenile Jazz Bands which are all out of print, so I have just made a brand new edition of the 

Youth Unemployment series with British Culture Archive called 

Vandalism on a Grand Scale in 2026, and hope to publish more.


I worked alongside director Paul Sng and producer Jen Corcoran on the documentary film TISH which was a beautiful and very cathartic experience.


I’ve also arranged acquisitions with the National Portrait Gallery, Tate Britain and the Museum of London, meaning my mam’s photographs are now part of their permanent collections.

Most recently, it’s been very exciting to collaborate with Sam Fender, who used a number of my mam’s photographs as the artwork for his People Watching album and singles including the record breaking 

Rein Me In  with Olivia Dean, which is now the longest running UK number 1 single EVER!
 

I'm so proud that my mam was part of such a special era and over the moon for Sam and his band. 


History has been made! 


I’ve also just opened a show at

Baltic Centre for Contemporary Art 

working with two wonderful curators Niomi Fairweather and Rose McMurray. I’ve loved every minute of putting this exhibition together with them. Bringing my mam’s work back home to the North East feels really special.


Close to Home

July 4th 2026 - April 4th 2027.  

Open Wed - Sun

Free Entry

Copyright © 2026 Ella Murtha - All Rights Reserved.

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