Tish was born in South Shields on 14th March 1956, but later moved to Elswick in the West End of Newcastle upon Tyne. The 3rd of 10 children. Life was hard, but what the Murtha's lacked in material possessions, they made up for with an abundance of creativity, talent and spirit. Tish left school at 16 and had a variety of jobs, from selling hot dogs to working in a petrol station. After finding an old camera in an abandoned house and being encouraged by friends, she took a photography course at Bath Lane, Newcastle, where her lecturer convinced her to apply to the Documentary Photography course in Newport, newly set up and the only one of it’s kind at the time. The same lecturer also helped her to get an education grant which enabled her to go.
In 1976, aged 20, Tish left home to study at the famous School of Documentary Photography at The University of Wales, Newport under the guidance of Magnum member David Hurn. She soaked up everything he taught her until it became second nature, returning to Newcastle with great purpose, she began to document the lives of her friends, family and neighbours. Tish's work was often concerned with the documentation of marginalised communities from the inside. She invested her time building relationships of trust, which allowed her access to different parts of the communities that she photographed. Her approach was informal, generating an understanding of what she was doing by giving copies of her photos to the people in them. The young people she photographed as part of her Youth Unemployment and Juvenile Jazz Band exhibitions showed how tenacious, resourceful, clever and resilient they were (and had to be) - Tish was always fiercely protective of them. She had plenty of experience of what it was like to be young and on the dole herself and wanted to try and help others who saw no real future for themselves. Tish felt she had an obligation to the people and problems within her local environment, and that documentary photography could highlight and challenge the social disadvantages that she herself had suffered. Tish went on to photograph a variety of different projects that interested her, including London By Night which explored Soho, and also spent time with a group of women from HMP Low Newton prison in Durham. Her last major venture was the documentation of central Middlesbrough before it disappeared as part of the Middlehaven regeneration project.
Tish sadly died on March 13th 2013, the day before what would have been her 57th birthday, after suffering a brain aneurysm. As an organ donor she went on to save the lives of four women and eyesight of four men.
"Young people, already experiencing the problems of adolescence, are left to cope alone with a situation that their educational training has not prepared them for - forcing them into a state of premature redundancy the minute they pass through the school gates for the last time.
What is becoming clear to the generation now approaching maturity is that our society has no solutions for their problems, can give no direction to their lives. Unemployment and all its associated deprivations are not only getting worse, but new technologies threaten to make the situation permanent. Behind empty pathetic talk of increased leisure opportunities and freedom from repetitive labour, stands the spectre of enforced idleness, wasted resources and the squandering of a whole generation of human potential.
This is vandalism on a grand scale."
Tish Murtha, May 1980
Suffering from the shock of losing her mother, Ella Murtha began looking through the huge archive of negatives, prints, contact sheets, notebooks and diaries that she inherited - Tish's Treasures - and found it therapeutic and helpful to cope with her grief. After beginning to share her mother’s work online, the response from people was incredible. There were people who already knew of Tish Murtha’s work and people who were just discovering it for the first time. It gave Ella something to focus on and she decided to devote herself to preserving Tish's legacy of love, respect, and hope by collaborating with people she trusts to authentically celebrate her mother's work.
Ella has posthumously published 3 books of Tish's work -Youth Unemployment, Elswick Kids and Juvenile Jazz Bands, made the documentary film TISH with director Paul Sng and producer Jen Corcoran and has arranged acquisitions with the National Portrait Gallery, Tate Britain and Museum of London meaning Tish's work is now part of their permanent collections.
Ella is very excited that Sam Fender has recently licensed the use of a number of Tish's images for the artwork of his new album 'People Watching'.
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