Tish was born in South Shields on 14th March 1956, but later moved to Elswick in the West End of Newcastle upon Tyne. The 3rd of 10 children. Life was hard, but what the Murtha's lacked in material possessions, they made up for with an abundance of creativity, talent and spirit. Tish left school at 16 and had a variety of jobs, from selling hot dogs to working in a petrol station. After finding an old camera in an abandoned house and being encouraged by friends, she took a photography course at Bath Lane, Newcastle, where her lecturer convinced her to apply to the Documentary Photography course in Newport, newly set up and the only one of it’s kind at the time. The same lecturer also helped her to get an education grant which enabled her to go.
In 1976, aged 20, Tish left home to study at the famous School of Documentary Photography at The University of Wales, Newport under the guidance of Magnum member David Hurn. She soaked up everything he taught her until it became second nature, returning to Newcastle with great purpose, she began to document the lives of her friends, family and neighbours. Tish's work was often concerned with the documentation of marginalised communities from the inside. She invested her time building relationships of trust, which allowed her access to different parts of the communities that she photographed. Her approach was informal, generating an understanding of what she was doing by giving copies of her photos to the people in them. The young people she photographed as part of her Youth Unemployment and Juvenile Jazz Band exhibitions showed how tenacious, resourceful, clever and resilient they were (and had to be) - Tish was always fiercely protective of them. She had plenty of experience of what it was like to be young and on the dole herself and wanted to try and help others who saw no real future for themselves. Tish felt she had an obligation to the people and problems within her local environment, and that documentary photography could highlight and challenge the social disadvantages that she herself had suffered. Tish went on to photograph a variety of different projects that interested her, including London By Night which explored Soho, and also spent time with a group of women from HMP Low Newton prison in Durham. Her last major venture was the documentation of central Middlesbrough before it disappeared as part of the Middlehaven regeneration project.
Tish sadly died on March 13th 2013, the day before what would have been her 57th birthday, after suffering a brain aneurysm. As an organ donor she went on to save the lives of four women and eyesight of four men.


After losing my mam, I found myself going through the huge archive of negatives, prints, contact sheets, and notebooks she left behind - 'Tish’s Treasures'. Spending time with her photographs and writing became a real source of comfort and helped me deal with my grief. I started sharing my mam’s work online and was amazed by the response. Some people already knew and loved her work, while others were discovering it for the first time. Seeing how much her photographs meant to people gave me something positive to focus on, and I knew I wanted to do everything I could to protect and celebrate her legacy. Since then, I’ve worked with people I trust to make sure her work is shared in a way that stays true to who she was and what she stood for.
Over the years, I’ve published three books of my mam’s work - Youth Unemployment, Elswick Kids and Juvenile Jazz Bands (which are now all out of print). I’ve also got a new publication on the way with British Culture Archive.
I worked with director Paul Sng and producer Jen Corcoran on the documentary film TISH, and I’ve arranged acquisitions with the National Portrait Gallery, Tate Britain and the Museum of London, meaning my mam’s photographs are now part of their permanent collections.
Most recently, it’s been brilliant to work with Sam Fender, who used a number of my mam’s images for the artwork of his album People Watching, introducing her work to a whole new audience. The whole process was handled by DACS, who do such important work looking after artists’ rights and take care of all image licensing requests on my behalf.
I’ve also been busy getting everything ready for a new exhibition at
Baltic Centre for Contemporary Art in Gateshead, working with two wonderful curators Niomi Fairweather and Rose McMurray. It’s been such a positive, creative collaboration, and I’ve loved every minute of putting this exhibition together with them. Bringing my mam’s work back home to the North East feels really special, and I can’t wait for people to see it.
Close to Home opens on July 4th 2026 and runs until April 4th 2027.